T-shirt artwork
Create separate color regions as a starting point for screen-printing preparation.
Separate artwork into color plates.
Select a target color count. The tool groups similar colors into separate regions that you can inspect and refine.
Fewer colors. Clearer separations.
Preparing artwork for a limited-color print can mean identifying similar colors, deciding which ones can share an ink, isolating those regions, and checking every plate. Start with an automatic color reduction, then inspect and refine the plates before production.
Built for color-based artwork
Create separate color regions as a starting point for screen-printing preparation.
Review flat and semi-flat artwork as individual colors.
Reduce complex artwork into a smaller set of color regions.
Prepare graphics for apparel, tote bags, stickers, and other limited-color workflows.
Separate dominant colors while retaining the overall visual structure.
Start from a JPG, PNG, or WebP when the original separated design file is unavailable.
Control your ink count
Digital artwork can contain thousands of colors even when you plan to print only a few inks. Choose a target count to simplify the image into a limited palette.
For simple artwork, logos, and bold graphics.
A practical starting point for many promotional and apparel graphics.
Keep more tonal variation and detail with a limited palette.
Choose a count that fits your artwork and production workflow.
A four-color spot palette is not the same as CMYK process color.
Inspect before you export
Toggle plates on or off, inspect each mask individually, and compare the combined preview with the original. Checking plates can help you spot missing details or regions that need cleanup.
Take the separations with you
Download each separated mask or package the set in a ZIP file. Continue editing in the design, RIP, or prepress software used in your production workflow.
Export a transparent PNG for each separated region.
Keep all generated color masks together for your next workflow step.
Use the exported masks in your design or prepress software.
For screen printing workflows
Screen printing applies individual ink colors through separate screens. Multi-color artwork is therefore prepared as separate color regions. This tool creates an initial separation from a flattened image. Your production setup may still require halftones, underbase preparation, trapping, registration marks, ink adjustments, screen settings, and RIP-specific output.
Understand the workflow
Selected colors are treated as individual ink regions or plates.
Cyan, Magenta, Yellow, and Black process channels combine to reproduce a range of colors.
This tool reduces artwork to a limited set of separate color regions. It does not simply convert an image into four CMYK channels.
About Pantone colors
A spot-color separation identifies separate color regions or ink plates. Pantone matching is a separate step that assigns a standardized ink reference to a color. This tool does not guarantee official Pantone matching or automatically create certified Pantone production channels.
How it works
Start with a JPG, PNG, or WebP image.
Select how many colors you want the image reduced to.
Similar colors are grouped into independent regions.
Inspect the separate colors individually and together.
Download masks for further editing and print preparation.
Get better separations
Clear artwork with distinct shapes and colors is generally easier to separate than low-resolution images with compression, subtle gradients, complex lighting, or photographic detail.
Before you print
Generated color separations are artwork-preparation assets, not a guarantee of final press output.
Detected colors are digital approximations unless mapped to a validated ink system.
Ink, substrate, garment color, underbase, mesh, halftones, registration, and press setup can affect the result.
Detailed edges, gradients, distressed artwork, and similar colors may need adjustment.
Use your normal prepress or RIP workflow to check separations before production.
Best for reducing artwork to a limited number of colors, creating separate color regions, and inspecting ink plates.
Best for separating foregrounds, backgrounds, objects, or text to continue editing a design.
Frequently asked questions
It divides artwork into individual color regions so each intended ink or color can be handled separately. Screen printing commonly uses a separate screen for each ink color.
Yes. Upload a flattened JPG, PNG, or WebP and reduce it into a selected number of color regions.
Yes. Choose a target count from 3 to 6 colors based on your artwork and production needs.
No. CMYK uses Cyan, Magenta, Yellow, and Black process channels. Spot-color workflows use individually defined color regions or inks.
It can be used as a starting point for screen-printing artwork preparation. Review and prepare final output in your normal prepress workflow.
No. Spot-color separation and Pantone matching are different steps. This tool does not guarantee official Pantone matching.
No. A validated Pantone or other licensed color library is not integrated, so digital similarity should not be presented as a guaranteed match.
It creates separate color masks for further editing and prepress preparation. Check final production channels in your usual prepress or RIP software.
Yes. View each generated separation individually and toggle it in the combined preview.
Yes. Download each transparent PNG mask separately or download the complete set as a ZIP.
It can process photographs, but subtle colors, gradients, and tones are approximated. Photos usually need more cleanup than flat illustrations.
No. The tool focuses on color-region separation. Handle halftone screening in the appropriate prepress or RIP stage.
No. Underbase requirements depend on the artwork, garment, ink system, and printing method, and should be prepared as part of production.
Review and prepare the generated masks in your normal prepress workflow first. Film output, registration, halftones, and other production settings may still be required.
It can simplify an initial separation from flattened artwork. Dedicated prepress or RIP software may still be needed for final production output.
Before you upload
Upload artwork, illustrations, logos, merchandise designs, and graphics that you own or have permission to modify and print. Color separation does not grant rights to third-party artwork, trademarks, logos, characters, or other protected material.
Ready to separate your artwork?
Upload your artwork, choose the number of colors, preview each separation, and export the masks for further editing or print preparation.
Separate my artworkJPG · PNG · WebP
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