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Separate a flat illustration into layers for 2D animation.

AI attempts to separate characters, props, and scenery from your flat image for animation.

Upload your illustration

1

Click or drag image to upload

Layer Hotspots17 Layers
Hover or click box to inspect layer
Separated Layer Cutouts17 Layers
Protected Assets
2

Settings

Leave this blank to let Detailed Layers identify the main editable elements automatically. Or name the parts you want separated.

Separate the Elements You Want to Animate

Start with a complete illustration and extract recognizable characters, props, foreground objects, and backgrounds. Use the resulting layers as a starting point for motion design and 2D animation.

Character isolationProps and objectsForeground and backgroundScene animation preparationTransparent image layers
Cost per run60 credits

Upload an Image to Continue

Private File Handling

Uploaded files are associated with your account and delivered through signed URLs. You can delete completed jobs manually.

Transparent PNG Output

Detailed Layers returns each detected element as its own layer on a transparent background.

Review the credit cost shown in the workspace before generating.

Tips for better results

  • Upload a clear illustration with recognizable objects.
  • Choose artwork with distinguishable character and scene boundaries.
  • Keep important objects fully visible where possible.
  • Use a high-quality source image when fine details matter.
  • Check overlapping objects and reconstructed areas before animating.
  • Separate characters from the scene
  • Extract props and decorative elements
  • Prepare foreground and background layers
  • Reconstruct some hidden areas
  • Export assets for animation workflows

A real illustration separation example

One Finished Illustration. More Ways to Add Motion.

This real AI-generated example shows how a cozy cartoon bedroom illustration can be separated into visual elements before animation begins.

Cozy cartoon bedroom illustration with a witch holding a sweater, a friendly ghost, furniture, clothing baskets, and colorful room decorations.

Everything Together in One Image

A little witch, a friendly ghost, furniture, clothing, and decorations are all part of one finished illustration.

  • Separated illustration element: Little witch in purple hat
  • Separated illustration element: White ghost character
  • Separated illustration element: Red flower shaped clock
  • Separated illustration element: Wall art set
  • Separated illustration element: Green bookshelf with decor
  • Separated illustration element: Green nightstand with blue lamp
  • Separated illustration element: Hanging window greenery
  • Separated illustration element: Orange mug with ghost pattern
  • Separated illustration element: Orange check bed with pumpkin pillow
  • Separated illustration element: Floor potted greenery set
  • Separated illustration element: Orange armchair with gray cat
  • Separated illustration element: Purple hair tie with white flower
  • Separated illustration element: Keep clothing bin
  • Separated illustration element: Donation clothing bin
  • Separated illustration element: Scattered floor clothing set

Separate Elements for Further Animation Work

Inspect the extracted character and scene layers to see which visual elements can be moved, hidden, or edited independently.

This is an actual AI-generated layer result, not an animated demonstration. The grid displays 15 of 17 generated layers; the background and a duplicate red-clothing layer are omitted. Some objects remain grouped, and one sock is clipped at its layer edge. Results vary by source artwork.

The problem before animation starts

Everything Looks Ready—Until You Try to Move Something

Your illustration is finished. The composition looks great, and you can imagine a character blinking, decorations floating, or a camera moving through the scene. Then you open your animation software and discover that everything is part of one image.

Move a character and you may expose a hole in the background. Move a foreground object and unwanted pixels may come along with it. Preparing a scene can mean selecting objects, refining edges, and repainting areas that were hidden behind them.

Illustration to Animation Layers helps you start with a more useful layered version of your existing artwork, so you can spend less time on repetitive cutout work.

Start with the subject

Make Characters Easier to Animate Independently

A small movement can make an illustrated scene feel more alive. You might want a ghost to float, a person to move across the background, or a cartoon animal to shift slightly. When the character is flattened into the scene, even simple motion can take extra preparation.

AI-assisted separation attempts to isolate recognizable characters from the surrounding artwork. The resulting image layer can be used as an independent visual element in an animation workflow.

Possible uses

  • Move a character across the scene or adjust its position
  • Add gentle floating, entrance, or exit effects
  • Animate multiple recognizable characters independently
  • Reuse a character in a different scene

This workflow separates characters as visual objects. It does not automatically split every limb, eye, or mouth for character rigging.

Motion is not just about characters

Give Scene Details Their Own Movement

Small movements can bring an illustration to life: a hanging decoration can sway, a cloud can drift, or a lantern can move gently. These effects may not require a complex character rig, but the object needs to be separate from the rest of the image.

The layer workflow can help extract recognizable props and decorative elements so you can move them in your preferred animation software.

Examples of potential motion

  • Floating ornaments and drifting objects
  • Moving clouds or swaying decorations
  • Sliding scene props
  • Independent foreground movement

When visual elements have their own layers, you have more options for adding subtle motion.

Prepare depth-based effects

Create More Depth From a Single Illustration

A flat illustration can still contain visual depth. Decorations may sit close to the viewer, characters may occupy the middle ground, and scenery may extend into the distance. Moving these elements at different speeds can create a parallax-style effect or a sense of depth during camera movement.

Separate layers can give you a starting point for building that movement in an animation application.

Possible layer groups

  • Foreground decorations and main characters
  • Supporting props and midground structures
  • Distant scenery and background

This does not create a true 3D scene or calculate a precise depth map. You may need to adjust layer order and positions manually.

The background matters too

Move a Character Without Leaving an Empty Hole

The original image does not contain the wall or scenery hidden behind a character. Simply cutting out the character may reveal an empty area when you reposition it.

AI layer separation can attempt to reconstruct supported hidden portions of the scene, giving you a background that may be more useful for repositioning objects or creating alternate compositions.

Useful for

  • Moving characters or props away from their original positions
  • Removing a foreground object from the composition
  • Preparing a background plate for animation
  • Creating an alternate scene layout

Hidden regions are AI-generated estimates, not recovered original artwork. Review them and repaint or clean them up when needed.

Continue in your animation software

Prepare Illustration Layers for After Effects

After Effects scenes often need characters, backgrounds, and foreground objects arranged so they can be manipulated independently. This workflow helps prepare those visual assets from a flattened illustration; animation setup and motion still happen in After Effects.

  1. 1

    Separate the artwork

    Upload your illustration and generate individual visual layers.

  2. 2

    Review the extracted elements

    Check that the objects you intend to animate have been separated as expected.

  3. 3

    Download the assets

    Use the layer downloads or supported PSD export option available in your result workspace.

  4. 4

    Build your composition

    Import and organize the layers, adjust anchor points, and create motion with After Effects tools.

The separation workflow prepares visual assets. It does not create an After Effects project or animation.

Keep your workflow flexible

Use Your Layers in the Animation Tools You Already Know

Independent transparent images can be useful in different creative applications. Export the assets you need, then finish the setup in the software you prefer.

After Effects

Arrange layers for motion graphics, scene animation, and camera effects.

Blender

Use supported image-based workflows to position visual elements in a scene.

Adobe Animate

Import visual assets and organize them for timeline-based animation.

Unity and Godot

Use suitable extracted images as source assets for simple 2D scenes and effects.

Photoshop

Review layers, clean edges, correct reconstruction errors, and organize assets before animation.

The tool does not automatically generate application-specific projects, timelines, or skeletons.

Do not start from zero

Give Existing Illustrations a New Use

You may have portfolio pieces, client artwork, children's story illustrations, social posts, or game prototypes saved as a single image. You do not necessarily need to redraw the entire scene to explore animation ideas.

Separating recognizable visual elements can create a starting point for subtle motion, a looping background, an animated greeting, or a short storybook scene. The amount of manual cleanup depends on the artwork and the motion you want to create.

Ideas for reusing your work

  • Add subtle motion to portfolio artwork or social posts
  • Prepare an animated greeting or looping background
  • Build a simple storybook animation
  • Experiment with motion before a larger production

Bring existing artwork into a motion workflow without manually cutting out every object from scratch.

Built for scene-based motion

Not Every Animation Needs Full Character Rigging

Sometimes you do not need a walking cycle, facial rig, or complicated skeleton. You may simply want a character to drift across the composition, a prop to rotate, or a foreground element to move at a different speed from the background.

Separating scene elements is a practical first step for illustrated loops, motion graphics, social posts, storytelling scenes, decorative backgrounds, and animated presentation artwork. Create the motion separately at the level of complexity your project needs.

Only have the exported image?

Start With a Flat PNG or JPG

The illustration may have been exported from Procreate or another drawing application, delivered without its source file, or left behind after the original layered project was lost. You can still start from the finished image you have.

The tool generates a new visual layer structure from the uploaded image. It does not restore the original drawing project, layer history, or brush strokes.

What you can get

New visual layers, separate image elements where recognized, transparency around supported objects, and estimated reconstructions where possible.

What it does not restore

The original app project, original layer history, automatically generated character rigs, a finished animation, or a guaranteed pixel-identical version.

A flattened image can become a new starting point for animation preparation.

Preserve your creative style

Keep the Illustration Recognizable

Your artwork may use thick outlines, flat colors, soft shadows, painterly textures, or carefully designed expressions. Separation aims to retain recognizable visual details while creating independent layers, but AI processing can still change details near object edges and reconstructed regions.

Review these details

  • Facial expressions, outlines, and shapes
  • Original colors and clothing details
  • Props, decorations, and small patterns
  • Transparent edges and reconstructed regions

Review the extracted layers before adding motion, especially when the original drawing style matters.

Before you start animating

Check the Separated Artwork First

A few checks before animation can prevent distracting errors later. Review the elements you plan to move and the image areas that will be revealed.

Animation preparation checklist

  • Make sure the characters and props you need are independent rather than unintentionally grouped.
  • Inspect outlines and transparent boundaries for leftover background pixels or missing details.
  • Move objects in your editor to check whether hidden background areas are usable.
  • Adjust the layer order if objects need to move forward or backward in the scene.
  • Check that objects have enough visual information if you plan to move them far from their original position.

Know the limitations

Layer Separation Is the Beginning, Not the Finished Animation

AI-generated layers can reduce repetitive preparation work, but they do not replace an animator or motion designer. The model may group objects, change fine details, estimate hidden areas, or reach its practical output-layer limit on a crowded scene.

You may need to refine

  • Grouped objects, overlapping edges, or imperfect hidden-area reconstruction
  • Small details, slight position shifts, or attached background elements
  • Masking, painting corrections, and layer ordering
  • Additional setup for full character rigging

Treat the result as an editable starting point, then refine it for your specific animation project.

Different goals, related workflows

Editing an Illustration and Animating It Start in Similar Ways

Illustration to Layers

General illustration editing

Separate a flattened illustration to revise objects, reposition elements, or create a new composition.

Explore illustration editing

Illustration to Animation Layers

Preparing artwork for motion

Separate whole characters, props, and scenery as visual layers to review and use in animation software.

You are viewing this workflow

Both workflows separate flattened artwork. Choose this page when your next step is to add movement in another application.

Frequently Asked Questions

How do I separate an illustration into layers for animation?

Upload a finished illustration and start AI layer separation. The tool attempts to identify characters, props, scenery, and background elements, creating visual layers you can review and use in your animation workflow.

Can I animate a flat illustration that only exists as a PNG?

Yes. A flattened PNG can be used as the source for generated layers. If suitable objects are separated, import them into compatible animation software and create movement there. This tool does not automatically produce an animation.

Can I use these layers in After Effects?

Yes. Supported image downloads or a layered file format can provide a starting point in After Effects. You will still need to organize the composition, adjust anchor points, and create the animation yourself.

Does the tool automatically animate my artwork?

No. It separates artwork into visual layers for later animation. It does not generate keyframes, character motion, animated videos, or finished animation projects.

Can I separate multiple characters from one illustration?

The AI can attempt to recognize distinct characters and create separate visual layers. Characters that overlap heavily may be grouped or reconstructed imperfectly.

Will the tool separate arms, legs, and facial features for rigging?

Not necessarily. This workflow focuses on complete scene elements. Use a character-specific preparation workflow for detailed body-part separation.

Can I create parallax animation from the generated layers?

You can use separated elements as a starting point for parallax-style animation. Arrange layers and move them at different speeds in compatible software; layer order and visual depth may need manual adjustment.

Can I move a character away from its original position?

If the character is isolated successfully, you can reposition it in an image editor or animation application. Areas that were hidden behind it may need background reconstruction or manual cleanup.

Does AI rebuild the background behind objects?

It can attempt to estimate hidden background regions from the surrounding illustration. These are AI-generated reconstructions, not recovered original pixels, and may need further editing.

Can I download transparent PNG layers?

The image separation workflow supports independent visual layers. Use the available download options in the result workspace to get supported transparent image assets.

Can I download a layered PSD file?

A PSD download may be available through supported paid-plan export functionality. Check your account and result workspace for current options. The file contains newly generated layers, not the artist's original layer structure.

Does it work with Procreate illustrations?

You can upload a supported image exported from Procreate. Processing uses that flattened image and does not restore the original Procreate project or its native layers.

Can I use hand-drawn or digitally painted illustrations?

You can try hand-drawn, digitally painted, and flat-color artwork. Results depend on image quality, overlap, and how clearly the elements can be recognized.

Does this work for AI-generated illustrations?

Yes. Finished AI-generated artwork can be uploaded. The tool attempts to separate visible elements into new editable layers, though details may change during processing.

Can I import the extracted images into Blender?

Supported image downloads can be incorporated into appropriate image-based Blender workflows. You will need to position the objects and create animation in Blender.

Will every object in my scene become a separate layer?

No. Some objects may remain grouped, especially when they overlap or form one recognizable visual unit. Complex scenes can also reach the model's practical layer limit.

Can I create animated storybook scenes with this tool?

You can use generated layers as source assets for an animated storybook workflow. Character movement, page interactions, timing, and other animation behavior must be created separately.

How is this different from removing the background?

Background removal typically isolates a foreground region. This workflow attempts to separate several meaningful illustration elements, including characters, props, scenery, and background regions.

Is the output ready for professional animation immediately?

Not always. You may need to correct object grouping, edge quality, hidden-area reconstruction, layer order, or anchor positions before animating. The work depends on your image and intended motion.

Is Illustration to Animation Layers free?

This is a credit-based AI workflow. The workspace displays the current generation cost before you start. Review your available credits and export options before processing.

Your Illustration Is Finished. Now Give It Room to Move.

Separate the characters, props, and scenery you want to animate. Generate editable visual layers, then continue creating in your preferred software without manually cutting out every object from scratch.

Prepare my illustration layers

Upload your image and review the generation cost before starting.

    Split Illustration Into Layers for Animation | Image to Layers